I have to admit that, despite living near Chicago – where the musical revival of Mel Brooks’ The Producers debuted prior to the Broadway run – I didn’t see it. Believe me, I wanted to, it was just a combination of time and money that prevented it from happening. The original movie (which was not a musical for those just coming into this) is a bona fide classic of film comedy. Brilliant and career-making performances from both Gene Wilder and Zero Mostel, combined with one of the sharpest scripts Brooks ever produced, make this movie a laugh riot.
The genius of the film made me wary of the musical, but I was reassured by the fact that Brooks himself was overseeing it. The idea of making a movie out of the musical – essentially bringing the story full circle via a hexagon – seemed a little odd to me, but I’m willing to give it the benefit of the doubt. Whatever qualms I had were put more or less to rest by the fact that stars Matthew Broderick and Nathan Lane were returning and were being joined by Uma Thurman as Ulla the secretary and Will Ferrell as Franz Liebkind, the writer of the play within a play “Springtime For Hitler.”
The Poster
I have to admit to being a little surprised to see Thurman on the one-sheet for the movie. Not that I’m complaining – I think she should be on the poster for every movie, even ones she doesn’t appear in – but Ulla in the movie was a pretty small role and mainly consisted of dancing in a mini skirt. This may by where my ignorance of the musical is to blame since it’s possible the part was expanded on stage. Other than that the poster is very deco-ish, which confused me slightly. The movie is set in the 60′s but everything about this poster screams early 50′s. What period is the movie set in? Am I thinking too much about this?
The Trailer
Lane and Broderick certainly seem to be having fun and have what seems to be an easy chemistry in their roles as partners in swindling. That’s not completely surprising considering they worked together for years in the play. There are a number of the musical numbers that are highlighted as well as a good amount of screen time for Ferrell and Thurman. It’s a fun trailer with only one weak point I could find. The moment where Broderick’s Leo Bloom shouts “This is it!!” at the back of the theater on opening night is too much of a Gene Wilder impersonation for me. It’s a minor qualm but that’s why I’m here, right?
The Website
One thing about the website that’s for certain is that it is painfully slow. I mean really friggin’ slow. I tried it on both a cable modem and a T1 connection and it took forever to load, and that’s only when I didn’t give up and close the window out of sheer frustration. My other main complaint with the site is that there’s one song, sung by Nathan Lane, plays repeatedly whereever you go and however long you’re there. There’s nothing wrong with the song, but considering the slowness of the site you can hear that one song three or four times over the course of waiting for one section to load.
Once I got there and sat through the tortuous process of waiting for everything to load, I discovered very little about the site that was engaging or interesting. The usual fare lie inside the “The Story”, “Videos”, “Cast & Crew”, “Downloads” and “Images”. The best part of the site is called “Bialystock’s Big Ones,” which is a tour through the professional history of Max Bialystock. We get posters and script snippets to his past productinos “The Kidney Stone”, “This Too Shall Pass” and others.
Overall
Do you need to be a fan of the stage show in order to enjoy the movie? Probably not, but it obviously wouldn’t hurt. I’d say it’s just more important that you be a fan of Mel Brooks. Overall the campaign is pretty good, but almost seems a little light and insubstantial for a movie that could have a huge impact this late in the year. Rent, unfortunately, proved that you need to do more than count on appealing to the same audience that loved the play to be a success. I don’t, though, see Universal trying that hard to reach beyond that core group with this campaign.
I would be remiss if I didn’t mention the finale to the fourth season of “Curb Your Enthusiasm”, Larry David’s hit HBO comedy. The entire season had been built around David’s fictional self being cast as Bialystock in the stage production of The Producers. The finale, then, showed that everything had been a setup to a punchline that literally left my jaw agape. I’m not going to ruin it because everyone should do out and see it. I really couldn’t believe it. It’s not shocking but it is funny in a way that just left me in tears.
Like this:
Like Loading...