On the one hand, this feels a little bit like going back to the well in this first clip from The Trip to Italy, the sequel to 2010′s The Trip. On the other hand, when it’s as good as this who the hell cares.
And here’s the bit from the first movie.
This is the second story I’ve read recently about Fizzology and their work mining social media sentiment for Hollywood studios.
Handley and her analysts found a surprise: The film, which hadn’t yet been released, was drawing buzz on Twitter among college students. Not only that, but much of the social media conversation was coming from men–and Universal had previously banked on the film, whose biggest stars were actresses, primarily attracting a core female audience of Glee fans. They unexpectedly discovered that many people paying attention to Pitch Perfect on Twitter didn’t appear to mention Glee on social media, and that an unexpectedly large number of positive tweets came from males who had attended screenings with women in the expected core audience.
via “Pitch Perfect” And How Analytics Are Transforming Movie Marketing | Fast Company | Business + Innovation.
Two separate stories about tracking buzz and anticipation for some upcoming movies:
First, Buzzfeed and Variety are working together to track social media buzz and headlines around the movies nominated for Golden Globes.
The BuzzFeed MovieTracker (methodology below) measured online interest for Dec. 15-29 and found “Wolf of Wall Street” racked up most page views for best picture drama, with Leonardo DiCaprio on top as lead actor.
More generally, the LAT reports on research from Fizziology about buzz for movies coming later in 2014 to see who’s getting strong word-of-mouth lifts.
Research firm Fizziology used social media data to rank the 10 most buzzed-about movies for the upcoming year and gave the top spot to “Divergent,” Summit Entertainment’s futuristic action-adventure coming out in March. The movie is getting “Hunger Games”-like buzz from young female fans of the young-adult book by Veronica Roth.
Huh. If I were still running a movie marketing blog I might have a field day with this news.
Once an afterthought filmed with cue cards after a picture wrapped (hence the term “trailer”), the coming attraction has become Hollywood’s primary marketing salvo, a staple of Super Bowl commercials and YouTube, where surfers watched 1 billion trailers the first three quarters of 2013, the most recent figures available.
via After 100 years, movie trailers are still must-see viewing.
This isn’t all the shocking. I’ve seen tweets pulled for trailers and posters in the past. But I guess it’s a big deal, necessitating no end of media hand-wringing, when they’re used in a paid ad placement and when the quote in question comes from a big-name critic.
In a case of the digital snake eating its own tail, the New York Times ran a full-page print advertisement on Saturday that featured a single tweet from its critic, A.O. Scott, flacking the movie “Inside Llewyn Davis.”
via New in Movie Marketing: The Printed Tweet | Re/code.
I could say more, but I’ll just include the new trailer for Muppets Most Wanted, which either intentionally or not offers some meta-commentary on the situation.
This is an amazing data visualization of dominant color hues in movie posters over the last 100 years. Read all the details on how this was created.
Vijay Pandurangan » Colours in movie posters since 1914.
If I were still writing MMM on a regular basis I could have a field day with this story about social media’s impact and usefulness in not only movie marketing but box office prognostication.
Twitter has claimed a decent impact on water cooler conversations, Buzzfeed has reinvented (or at least smartly repackaged) native advertising and Tumblr has used the momentum after its acquisition by Yahoo to position itself as the new echo chamber for fan engagement. Budgets have been steadily shifting towards digital media, and digital savvy has become the new must-have. Overall levels of relevance, mass reach, sophistication and smart spending have increased tremendously in 2013.
via Digital Data on December Movie Releases: 47 Ronin, Anchorman 2, More | Variety.
This is largely material we’ve already seen in some clips and early promo videos, but it still feels really good to have a formal, official theatrical trailer for the Veronica Mars movie. And it’s pretty great on top of that, which is completely expected but still nice to see.
Neither THR nor I are saying these are the best trailers of 2013, but they are saying these are the ones that generated healthy amounts of conversation.
This year we had movie trailers that tantalized, teased and deceived — showing us team-ups between two generations of X-Men and the return of Despicable Me. As part of 2013\’s Year In Review, The Hollywood Reporter looks back at 10 of the most talked about trailers of the year.
via Best of 2013: Most Talked About Movie Trailers (Video) – The Hollywood Reporter.
And in a nice little bit of what I like to think is nose-tweaking of Hollywood, THR also lists the Hottest Trailers For Trailers in 2013, those promos that weren’t exactly teasers but instead were videos announcing a trailer was coming soon.